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Bedroom with a carved timber tree wall behind a round bed, branches crossing the ceiling, lit at night

Design Studio

Drawn first.
Then built.

Interiors and architecture designed by our own architect — carved walls, sculpted ceilings and lighting worked out in full before anyone lifts a trowel.

What you are looking at

Every one of these is a drawing.

These are 3D visualisations from our own design table — the stage where a room is decided. Where the light sits, how a wall is carved, what the ceiling does, which surfaces catch the evening and which stay quiet.

Nothing here is a photograph of a finished house. Built work lives on the projects page. We keep the two apart on purpose: a render shown as a building is a promise nobody can keep.

Any of these can be adapted to your plot, your budget and your family — or drawn from nothing, which is how most of our projects start.

01 — Bedroom interior

Tree-wall bedroom

A carved timber tree becomes the headboard, the bookshelf and the light source, then breaks across the ceiling as branches.

Type
Private residence — bedroom
Scope
Interior design and 3D visualisation
Feature
Carved timber feature wall with integrated shelving and lighting
Drawn by
Our in-house architect
Design something like this
Bedroom with a carved timber tree wall behind a round bed, branches crossing the ceiling, lit at night
The room at night, from the foot of the bed

The brief was a bedroom that did not feel like furniture pushed against walls. So the wall itself became the furniture: two trunks in figured timber rise from the floor, split into shelving at reading height, and carry on across the ceiling as branches that reach the far corners of the room.

The same bedroom seen from the doorway, with seating on the left and the tree wall on the right
From the door: seating first, then the wall

Every piece of it works. The trunks hide the bedside lighting and the concealed strips that wash the wall after dark. The shelves between them hold books and a few chosen objects rather than clutter. The leaves are the only true colour in the room, so they read as green even under warm light.

Close view of the timber tree wall with lit shelves, table lamp and window beyond
Shelves, concealed light and the reading corner

Everything else is kept quiet on purpose. A round bed in pale upholstery, a soft palm-print wallcovering, rattan seating and a woven rug in muted olive. In daylight the room reads as natural timber and linen; at night the cove lighting takes over and the tree becomes the one lit object in a dark room.

The bedroom in daylight, sunlight falling across the bed and the tree wall
The same room in daylight — the timber warms, the lighting disappears

02 — Living room interior

Living room under a curved ceiling

Two sweeping arcs of ceiling and timber wrap the room, with a hand-painted medallion as the single point of colour.

Type
Private residence — living room
Scope
Interior design and 3D visualisation
Feature
Sculpted false ceiling with concealed lighting, carried onto the wall in timber
Drawn by
Our in-house architect
Design something like this
Living room in daylight with curved ceiling, sheer curtains and sectional seating
Daylight through full-height sheers

A long rectangular living room is a hard shape to make warm. Here the ceiling does the work: two broad curves in plaster and timber sweep across it and continue down the wall, so the eye travels the length of the room instead of stopping at a corner.

The same living room at night, ceiling curves lit by concealed strips, medallion glowing on the wall
At night the ceiling becomes the light

Light is built into those curves. Concealed strips follow each arc, recessed spots sit in the flat field between them, and a single sculptural pendant hangs over the seating. After dark the ceiling itself becomes the light fitting.

View towards the television wall with fluted timber panelling and a long low console
The television wall, fluted timber and a low console

The long wall is a botanical print in soft sage, cut by the timber ribbon. Against it sits one hand-painted medallion — the only saturated colour in the room, deliberately. The rest stays restrained: low seating in oatmeal, a marble table, a fluted timber panel around the television, and full-height sheers that let the garden in without glare.

The living room in afternoon light, looking towards the garden windows
Afternoon, looking out to the garden

Your turn

Bring us a plot, or a room you cannot solve.

We draw before we build, and the drawing is where the money is saved. A consultation costs nothing and commits you to nothing.